Articles in the Book Reviews Category



Is it a novel or a book of writing tips?

It’s both actually, if you want it to be.  On her website, the author says it came out of “discussions I had with my mother”.  So it is about a writer and her mother, but also about a creative writing class.  Since Breen herself has taught such a class, parts of it are autobiographical, although she declares there is a lot of fiction woven in.

“Susan Breen has written a beautiful and inspiring story with a few surprises thrown in for good measure. Read it! There are so many layers to this book, you’ll find something that touches you or inspires you.” ~ Mary Evelyn Lewis at Virtual Wordsmith

The story is structured around the nine weekly classes and what happens in between them.  The sections on the classes are numbered sequentially, but they are interspersed with numbered chapters, so Chapter One comes after First Class, and is followed by Second Class.  Another element enters the structure part way through, but it would spoil the story to tell you about that in this review.

The writing tips fall out of the description of the classes.  In the first class, the teacher tells her students they will find it easier to start writing if they pick subjects that are important to them.  I love the way she expresses it: “Write about the thing that sets up a commotion in your mind, and you will find that the words come flowing.”  That’s one of the great things about this book.  Many aspects of writing may be familiar, but the language used to explain them is unique and wonderful.

Each class ends with an assignment that the students have to complete before the next, and the assignment follows the book section that describes the class.  For aspiring writers or blocked writers, these assignments alone could be helpful as prompts to get them going.

“This is a delightful first novel written with genuine wit and personality.” ~ Dennis Lythgoe at Deseret News

The first sections also include a brilliant demonstration of how to show your readers what your characters are like.  The main characters in this novel are the teacher and the students of the writing class, plus the teacher’s mother and her carers.

In Chapter One, after the class the teacher visits the nursing home where her mother wants to hear all about it.  The story of their relationship forms a backdrop to the classes, or it could be the other way around, depending on your point of view.  There is also a little love interest, so this book could appeal to quite a wide readership.

But writers, or aspiring writers, will certainly take away lots of writing tips from the class sections.  The section called Second Class discusses characters and what to do with them once the initial ideas for them have germinated – how to make them come alive on the page.  Third class concentrates on plot, the narrative arc, the inciting incident and the climactic scene.  (If you want to know what all that is about, you need to read this book.)

The fourth, fifth and sixth classes cover points of view, description and descriptive language, and dialogue.  In the sections on the final three classes you can learn, or revise, pacing, theme and voice – not active and passive, but the author’s voice that makes each one different from every other.

After reading this book, we should have no trouble writing our own novels.

And interspersed with all these tips and guidance are some hilarious goings-on, plus a very touching story about a mother/daughter relationship developing into a greater understanding and affection, through the medium of language and learning to write.

“Susan Breen teaches fiction classes for Gotham Writers’ Workshop in Manhattan. Her stories have been published by a number of literary magazines, among them American Literary Review and North Dakota Quarterly. She lives in Irvington, NY with her husband, children, two dogs and a cat. In her free time, which she has none of, she likes to read.” ~ From SusanjBreen.com

After reading about Sue Silverman and her book, “Fearless Confessions – A Writer’s Guide to Memoir” on Writer’s Roundabout I was keen to get a copy. It wasn’t long afterwards that a copy was sent to me after winning a contest on WRA.

Once started, I couldn’t put the book down; I was learning so much from it. I’m a budding writer, unpublished. This book is going to help my first book change from ordinary to wow.

Don’t get me wrong, I know it’s a tough business; the ‘wow’ above is for me personally, I want to feel that ‘wow factor’ for myself.

My father wrote his memoirs, it was directed at his friends and family who knew him well. He wrote the way many would “this is my life and how it happened.” I didn’t want that but hadn’t the first idea how to turn it into something with more punch. Sue Silverman’s book did just that!

I learned so much while reading this book, I believe the most important lesson is where to start, how to create what Sue calls the it-was-a-dark-and-stormy-night effect and catch the reader’s attention immediately.

I also liked how she reminds us to reveal our scenes rather than state them; using the senses to hold the reader in that moment with you so they can almost taste, smell, see, feel, and hear everything going on.

Losing unnecessary words and tightening up sentences is extremely important, especially for me as I can float away a little. Another useful lessons was the vital use of metaphors to engage the reader, to bring them on your ‘ride’.

Overall, I really loved the book and Sue’s style of writing. This book isn’t a ‘how-to’, it’s a guide with important information for budding writers like myself or those who need a refresher.

Thanks to this book, my book won’t be a “this is my life and this is how it happened” styled memoir, instead it will invite readers to “ride this roller coaster with me” and I thank Sue Silverman’s Fearless Confessions for introducing me to the new direction.

When Angela and Jodi first approached me to host Sue Silverman on her book tour I saw the word, “Memoir” and thought, “I don’t write Memoir and I don’t ever plan to.” But, Sue is a writer and “Fearless Confessions: A Writer’s Guide to Memoir” is not a book about memoir, it’s a book about writing.

Sue is incredible. After our initial contact she got a copy of her book into the post for me and it arrived within days. That was over two months ago, and while at the time I promised to move “Fearless Confessions” to the top of my reading list, I put it off, and off. Some deep, secret reserve held me back from opening the covers. Fear and perhaps an inner knowing kept the book at arms length. I would glance at the cover, feeling guilty because I knew that I would be reviewing the book this month and I really needed to have read it to do that.

Fear comes at us in all areas of writing, be it memoir or fiction, because, ultimately, with each word we write we tell the story of ourselves. I’ve struggled with my current novel because I know that there are elements of myself in each of my characters and I don’t know them. I don’t know myself enough to know these characters. Knowing that in finishing this novel I will have to truly learn who I am creates gargantuan writer’s blocks built of fear.

Perhaps, that is why “Fearless Confessions” found its way to me. I opened the pages and began to read and I could see myself in Sue’s words. I knew, from the first page, that this book would force me to look at my own situation, and, if I could muster Sue’s courage, it would force me to explore who I am. In turn, perhaps it would allow me to finish my novel.

Toward the end of each chapter, Sue William Silverman asks us to participate. It is not enough to be actively engaged in her voice and the heart she shares on her pages. Sue pushes her readers to take action, to begin now, to grasp courage and move forward. In book form it is tempting to skip over these writing exercises. It takes courage to commit to the exercises just as it takes courage to begin reading. But in claiming that courage with each exercise, it becomes easier to do the next.

Although there is a definite slant toward memoir writing through the book, “Fearless Confessions” is about all writing, particularly fiction writing. The techniques Sue shares are cornerstones in all excellent writing. Learning these skills and developing the craft of storytelling will improve your writing in every aspect of your life.

When we are first learning to read and write we are taught to distinguish facts, “An apple is red.”. As we grow older we’re told to expand on this, “An apple is red and round.”. As we discover writing as an art we learn that there is far more to every aspect of our lives then the simple facts. “Red” and “round” are no longer descriptive enough to truly convey what an apple is.

Sue Silverman’s “Fearless Confessions” asks us to look deeper. To see with adult eyes the complexity of life and express that complexity, in full, rich, evocative color, on the page. She asks us to discover ourselves in our writing and in turn, discover our writing within ourselves.

If you’ve ever wondered how to develop your writer’s voice, how to put emotion on the page, how to tell a story that readers live and won’t want to put aside, then you need to discover your own “Fearless Confessions“.

Now, it’s time to return to my own story.

Please, don’t forget that Sue will be visiting Writer’s Round-About on the 21st of August and you still have a few days to ask your questions and enter the draw to receive your very own copy of “Fearless Confessions: A Writer’s Guide to Memoir“.

How much do you really know about language usage? Are you sure you use “they’re“, “there“, and “their” correctly? When is it appropriate to use “whom“, “whome“, or just “who“? Confused about whether to “lay” or “lie“? Grammar Girl has the answers and she gives them in a way that makes it simple to understand.

I can’t think of any book that covers so many language quirks within its pages. To be honest, I found it a little draining to read. I read Grammar Girl’s book, several pages an hour, one tip after another without pause, but it is a book better suited to reflective browsing. In the same way that reading a dictionary will do wonders for your vocabulary but can be exhausting if attempted in a single sitting, Grammar Girls’ Quick and Dirty Tips for Betting Writing will do wonders for your writing but can be overwhelming if rushed. It is the kind of book one needs to savor, allowing each tip to simmer in your mind before sampling the next.

Having failed ninth grade English, and dropped out of school soon after, I never learned the ‘rules’ in a formal setting. I am amazed at what my nine-year-old daughter brings home from school about phonics and usage. She is learning things in grade four that I had never learned before; she teaches me! Twelve years removed from school I’m beginning to understand the difference between nouns, verbs, adjectives, adverbs, etc. I’m still working on understanding objects, subjects, and participles. I write instinctively, having read extensively, but am beginning to learn WHY a sentence works one way better than another and WHY this word differs depending on tense.

Feeling a little out of my element with grammatical context I found every page was a learning experience. There was so much to absorb in this plethora of information and insight that I had never truly comprehended before. Every tip offers an opportunity to learn about language from regional distinctions to popular adaptations. Not only does Grammar Girl, Mignon Fogarty, share simple tricks to help us remember ‘the rules’, she also explains the grammatical reason, the ‘proof’, that they are, in fact, the grammatically correct.

I found Grammar Girl’s book intense. I am learning so much! I LOVE IT!

Grammar Girl’s Quick and Dirty Tips for Better Writing is a book I know will sit upon my desk for years to come. It is not the kind I might read once then allow to gather dust on the shelf of the formerly loved. Despite it’s cheery cover and warm voice this is definitely a writers reference, and it includes a detailed index to make it even more effective as a reference guide.

If you’re looking for an addition to your desk, particularly a comprehensive guide to modern word usage and grammar, then this is the book you need. I want to give a big shout out, “THANK YOU!” to Michele Tune. I had never heard of Grammar Girl, or her book before Michele shared both on her blog and had I not won my copy of Grammar Girl’s Quick and Dirty Tips for Better Writing it might still be sitting on my Amazon wish list! Thank you, Michele.

Do you have a particular usage stumbling block? Want to know if Mignon Fogarty covers it in Quick and Dirty Tips? Drop a comment below and I’ll look it up for you!

Writing compelling copy that engages readers and entices them to take action is a powerful skill, particularly when writing for the web. All writing, from landing pages, sales copy, press releases, and marketing documentation, to something as simple as a blog post or email requires an element of persuasive writing.

Recently, a new client hired me to write landing pages for affiliate products. It is a fantastic job, giving me everything I love about this business; in particular, a new challenge that pushes my boundaries and forces me to expand my writing repertoire. To do the job well I’ve had to spend time researching how to write copy that compels visitors to buy.

Lindsay Camp’s book, “Can I Change Your Mind?” had been on my ‘to-be-read’ writing shelf for several months but with this new challenge it leaped out of the waiting pile. 240 pages later I came away with a deep sense of how writing can be used to transform people, to compel them to act, or change their opinions and beliefs.

First, we discover how persuasive writing is useful for everyone, not just professional writers. These days, we all use written language for all sorts of reasons from a simple note or email to blogs and fiction.

Persuasive writing plays a part in all writing because the key aspect of persuasive writing is to ‘change’ your reader. That change might just be to convince them that they want to keep reading (as in a novel) or it might be to have them part with their money or support a cause.

You need to know how to write persuasively. Not just so that you can write for clients, like the one who hires me to write affiliate landing pages, but so that every word you write connects with your readers.

Ultimately, the craft and art of persuasive writing comes down to a single rule. Lindsay covers this with “The three Rs of good persuasive writing”.

“Remember the Reader and the Result” ~ Linsday Camp

There are two things you must know about any writing project. You must know these things down to the elemental facts. You should have a these two elements honed to a fine tip pen before you begin writing.

Remember the Reader

Who are you trying to persuade? In freelancing we know this better as our reader, our target audience.

For example, YOU are my target reader, or you wouldn’t be reading this right now. My sharpened image of you is, “An adult who is interested in making a career from freelance writing, particularly in an online environment.” Now, there may be a few who read WRA who don’t fall into this ‘target’ but when I write, these people, ‘those interested in making a career from freelance writing, particularly in an online environment’ are the people I’m talking to. (If you’re not one of these people, PLEASE, leave a comment and let me know what brings you to WRA.)

Remember the Result

What do you want them to do? Simply keep reading? Leave a comment? Buy a product? Subscribe to your blog? Learn something new?

There are millions of results you might be aiming for when you sit down to write. One of the biggest mistakes we can make as a writers, is to begin writing with no concept of our intended result. Every form of writing evokes a result of some kind and not having a firm grasp of the result we want, the very reason we are writing, can often lead to unfocused, jumbled, and meandering writing.

For example, the result I want from this review is: ‘to give you enough information about “Can I Change Your Mind?” to decide for yourself if it will interest you’. Notice, that in this case, my result isn’t, ‘convince you to buy’. I don’t want you to buy the book if you don’t think you need it. I could set my result as, ‘convince reader they need this book’. But, I’m not brave enough to be so pushy and opinionated in a review.

Lindsay discusses this “Big Theory” far better than I have done in this blog post. Obviously, there is so much more to writing persuasively then I can cover in less than 800 words. In fact, “Can I Change Your Mind?” has a whole A to Z and several post scripts that go into more detail.

Readers Want Results Too

Ultimately, I have to ask myself if Lindsay Camp’s book had the result its target reader wanted. Did this book help me produce the persuasive copy I was hired to write? It sure did! And now I can turn these new skills and techniques toward all my future writing projects.

Now you need to ask yourself: Would your writing benefit from learning how to convince your reader to take action? If it would, find yourself a copy of Can I Change Your Mind?

What do you already know about persuasive writing? I’d love to know more so if you have any resources you recommend or information you’ve learned, please, share your thoughts!

One of the most notable things I realized while reading “Pep Talks, Warnings & Screeds: Indispensable wisdom and cautionary advice for writers” is that its author, George Singleton, must have a great deal of ‘STUFF’ on his desk. I wonder how he manages to write between his can of WD-40* (a reminder that writing daily prevents rusting), his compass* (because “stories and novels need direction”), his grappling hook* (“to remind him that every foray into pulling stories and novels from the depths doesn’t always succeed”), and the several other trinkets he has gathered. Somehow, he does manage to write, and has turned his pen to over 100 published stories and two novels.

While I don’t think that a cluttered desk is essential, the points George makes with his “Essential Tools” are important to remember. Beyond these tools, George includes sage advice on how to approach being a writer and the rocks beneath the muddy surface of the publishing industry.

Dead Meat

Every last story should be considered dead meat. If anyone ever asks, “What’s your favorite story or novel that you’ve written?” it should be what you’re working on at the moment, for you are always getting better, and striving.

~ Pep Talk: 98 (Dead Meat) from Pep Talks, Warnings & Screeds by George Singleton

Singleton is an opinionated writer with firm ideas of what being a writer is and how writing should be done. In some respects his advice could be controversial. How would Starbucks survive the current economical downturn if writers and wanna-be writers remained at home in their shoeboxes rather than downing caramel lattes?

How many writers would remain obscure if not for their blogs? Indeed, one might wonder how George Singleton can justify his Blog Tour this month given his poor opinion of bloggers and the “bloodsucking parasites” we carry?

Despite getting my hackles firmly spiked and my own opinions leaping to the defensive, “Pep Talks, Warnings & Screeds” has its mix of great content. For authors this book is worth reading.

George has a strident voice, he knows how to hook a reader, how to influence their thoughts, and he has done his time in the trenches of fiction. Much of his advice and wisdom has rich value to new writers. More experienced writers will find themselves laughing out loud (to strange glances from family) at the ring of truth in some parts of this book.

Getting to the Marrow

A butcher might argue that there’s a relationship between meat’s taste and its proximity to the bone. The closer to the marrow, the better the flavor. I don’t know how to complete this analogy for vegetarians. Maybe the center cuts of beets, carrots, and tomatoes offer more excitement for the consumer. Let’s pretend that’s the case.

In stories, the closer to the marrow a writer can get, the more enjoyment a reader will receive.

~ Pep Talk: 150 (Getting to the Marrow) from Pep Talks, Warnings & Screeds by George Singleton

“Pep Talks, Warnings & Screeds” is worth reading on any road of your writing journey. It is a valuable mulch to cultivate your future as a writer. Go forward into each new pep talk, warning, and screed with an open mind but allow your own experiences and preferences to discern which lessons you will take to heart. You’ll enjoy the ideas George expresses, and be eager to get back to your own writing.

Title: The Forward Book of Poetry
Author: Various Artists
Publisher: Faber and Faber
ISBN 10: Various Editions

“The Forward Book of Poetry” is one of the most impressive and remarkable poetry collections currently being published. Presenting poets who are both well known and new to the scene, the book is a shining example of all that is great about poetry in the UK at the moment.

Published annually the book is a collection of the short listed entries for the Forward Poetry Prizes. The Prizes were first established in 1991 with the goal of correcting the woeful lack of recognition and attention contemporary poetry receives and of extending its audience. The Forward Poetry Prizes themselves are currently the most financially rewarding poetry competition in the UK. Offering the competitive categories of Best Collection (10,000), Best First Collection (5000) and Best Single Poem (1000) the Prizes are regarded as hotly contested and only the very best poets shine through. The Prizes are only open to published poets and the poets cannot nominate themselves, their publishers must enter their collections and poems in their stead.

Poets and poems that do indeed manage to shine through above and beyond their competitors but perhaps do not manage to win are recognized by inclusion in “The Forward Book of Poetry“. Five highly respected literary judges debate long and hard to decide which poems should be included in the annual collection, so it is of little surprise that the poetry offered in the book is of an exceptional quality.

The poets featured in the book are a mixed bunch, sometimes well known names and ex-poet laureates that are recognizable to even those with little knowledge of poetry, and sometimes previously unknown poets making their public debut. The result is a refreshing mixture of poetry about a wide ranging but always griping variety of subjects. Each and every poem is an experience and delight in its own right and the collection as a whole can serve as a fantastic introduction to contemporary poetry for someone new to the genre, or as the treat in the form of the collation of the very best modern poetry for someone already familiar with contemporary British poetry.

I definitely recommend you get hold of a copy today, and see what you have been missing out on.

5/5 – Simply peerless.

Nicholas Cockayne is a 23-year-old UK based writer with a BA in English and a MA in Creative and Critical Writing. Nicholas is passionate about literature, writing, and publishing. He is currently trying to adjust to living in the countryside, finish several novels, and find time to read.

Title: The Complete Idiot’s Guide To Starting Your Own Business
Author: Edward Paulson and Marcia Layton
Publisher: Alpha Books
ISBN 10: 1592575846

If you’re thinking about starting a business, there’s no shortage of books available on the subject. You can find how-to business guides that range from bare business basics all the way to MBA level in-depth business guides.

Edward Paulson and Marcia Layton collaborated on the Alpha Books release, “The Complete Idiot’s Guide to Starting Your Own Business“. Paulson is an MBA and engineer with entrepreneurial experience, and Layton is an MBA who runs her own business and marketing consulting group. The authors have years of background in starting and running small and large businesses, and they give real world advice in this basic business guide.

Like most books in the “Complete Idiot’s Guide” series, the Guide to Starting Your Own Business breaks down the basics of starting a business into easy to understand sections. Graphics are used to highlight special points and advice throughout the text.

All of the basic business topics are covered: what type of business is right for you, whether or not to incorporate, how to write a business plan, and sales and marketing techniques. The book addresses each topic clearly and most of the information is general enough to be applicable to many types of businesses.

The one drawback of this book, and this may be addressed in later editions, is the relative lack of information on home based and internet businesses. Granted, there are entire books written on those two topics themselves, but if you’re looking for information specific to those two industries, you may want to consider a different book.

As a basic business reference guide, “The Complete Idiot’s Guide to Starting Your Own Business” skims the surface of A to Z. It provides worksheets for discovering your talents and what type of business you’d like to run, and it walks you through all the most basic business procedures like incorporation. There’s even a section on hiring employees, and a very brief section on independent contractors and how they differ from employees.

Overall, if you’ve just begun to think about starting your own business and you’re looking for a basic reference guide to get you started, this book will suffice. If you already know the type of business you’d like to start, or if you’ve already started the process of working for yourself, you might be better served by a more in-depth book more closely related to the field you’re interested in.

Reviewer: AJ Kerr

Title: How You Leave Them Feeling
Author: Jesse Ferrell
Publisher: JessTalk, hardback, 254 pages
ISBN 10: 0977881008

“Simply put, how you leave other people feeling and how people perceive you have a profound effect on the quality of your life,” declares the jacket blurb on Jesse Ferrell’s “How You Leave Them Feeling“. Ferrell encourages readers to adopt his approach in any interaction. The goal is to leave each person feeling good about himself and thus feeling good about you. When you do this, Mr. Ferrell maintains, you will be on the way to living the life you deserve, getting what you want out of life, and “living the good life now.”

Ferrell begins with a rousing introduction in which he explains the idea of the book. He describes how he saw that his own success was based on his ability to consistently leave clients and others feeling good about themselves. Then he sets the table for the main course by listing the principles on which he has built his own life. (He calls them the “Seven Essential Laws of Life”.)

In the thirteen chapters that follow, he delivers the details of his Seven Essential Laws and explains how they relate to leaving others feeling good about themselves and you. He explores subjects of attitude, communication, personal and professional development, building a support network, maintaining a healthy balance in life and more, illustrating liberally with real-life anecdotes and summing up with bits of catchy wisdom.

Some memorable points of the book for me were:

• The idea of the personal signature or unique style by which each of us becomes known.
• An emphasis on kindness and giving to others.
• The importance of attitude – along with a piece of good advice: “When in doubt, leave it out… it is far easier to revisit a situation and provide additional messages than it is to take back a wrongful or inappropriate remark stemming from an attitude glitch.”
• The importance of listening: “Sharpening your listening skills will bring you more respect and interpersonal growth than just about any other endeavor. People like to feel they are being heard. When you clearly listen to others, you are honoring the power of communication by investing the time to take in their message.”
• The challenge to leave everything – and everyone – better than you found them.

The readability of Ferrell’s practical and crisply written material is helped by consistent organization and formatting. The text is laid out with lots of white space between paragraphs and broken up with bold-face headings. The main points of each chapter are listed again at the conclusion as action steps. A list of summary points (one-sentence statements that describe how following the actions steps will impact the reader’s behavior) and affirmations (brief positive statements for the reader to repeat or reflect on) conclude each chapter.

Jesse Ferrell, the man, comes across as enthusiastic, likable, a great friend and team player with lots of drive, integrity and clear goals. As a former executive within the Las Vegas casino marketing industry, he is now president and CEO of a professional speaking company, JessTalk Speaking Services, and seems eminently qualified to write a book of this kind. His experience in the corporate world gives added value to the personal and professional development section via the diary system he has developed and illustrates. He now works as a life coach and the “JessTalk Life Quadrant Model” he has developed for clients drives home his point about the need for and means of achieving a balanced lifestyle.

I gained much from the book. However, I would not adopt it carte blanche as my personal road guide. It is written from a humanistic perspective and is birthed out of a New Age worldview (bad energy, good energy, karma, the Cosmos, evolved soul, mantra, Mother Nature, envisioning/visualization are all terms or concepts found within). With that in mind, however, I would say that you can learn much of value from “How You Leave Them Feeling” whatever your creed.

I have encountered many of its principles in my own belief system and I decided, as I read it, to use what I could and simply discard the things with which I didn’t agree. It has certainly made me think twice about how I will treat the next telemarketer, panhandler, supermarket clerk or whomever – and that’s got to be a good thing.

Violet Nesdoly, a poet, Christian and Children’s Author said, “The world of words has fascinated me for as long as I can remember. As a kid, whenever my Mom needed me for a job, it was a sure thing she’d find me between the covers of a book.”

You can get to know her better by reading her blog, Line Upon Line, where she shares inspiration, poetry, and thoughts on writing life. You can also find out more about Jesse Ferrell on his site, JessTalk Speaking and Coaching Services.

If you’re interested in having a review or article posted on Writer’s Round-About please send a query letter to rebecca.laffarsmith@gmail.com.

I’d like to give my sincere thanks to Katie-Anne Gustafsson for this Guest Review. I haven’t had a chance to read Noah Lukeman’s book, “The Plot Thickens: 8 Ways to Bring Fiction to Life” but it definitely sounds like this book and Noah’s first, “The First Five Pages” are necessary additions to my writer’s shelf. I hope you enjoy her review.

Have you read Noah Lukeman’s book? I would love to know what you thought of it. Feel free to leave your comments, review, or book review link in the comments. Are there any books in particular you’d like to know more about or would you like to share a Guest Review on Writer’s Round-About? Leave a comment or drop me an email!

Read more about Plot and Structure!