Articles in the Plot and Structure Category

Show, Not Tell, for a Winning Story by Jean Knill
Posted in Plot and Structure on 27 September 2008

When reading short story submissions, if there’s one thing that will put editors’ or competition judges’ teeth on edge it has to be telling instead of showing. Many stories of old were written like this – that’s why we sometimes find them a difficult read. We haven’t been given word pictures to stimulate our minds.
All [...]

Part Four: Hooks, Hangers and the Sequence of Events
Posted in Plot and Structure, Writing Lessons From Stargate SG1 Series on 9 December 2007

A primary writer’s tip involves the importance of your beginning. The first sentence, first paragraph, first page, first scene, ‘begin’ your story and are, perhaps, the most important words of your entire book. The final page/paragraph of each chapter is also significant and so is the ending.
These are Hooks, Hangers and the Sequence of Events. [...]

SG1 Series Part One: Story-Arc, Plot and SubPlot
Posted in Plot and Structure, Writing Lessons From Stargate SG1 Series on 1 November 2007

One of the most remarkable things I’ve noticed with the Stargate SG1 series is the almost decorative design of the story-arc. Each episode has one but each season also has one and the series as a whole has one as well. The three story-arcs work in unison to develop an intricate weave of plot and [...]

Part Four: When Wrong Turns Go Right
Posted in Planner/Pantser Six Part Series, Plot and Structure on 4 October 2007

For ’seat-of-the-pants’ writers, the map-less journey to your novel’s ending is filled with exciting turns and suspense-filled late night driving. For many, the way is lit by an inner inspiration and the beckoning call of our characters. Wonders unfold in unique and interesting ways. The journey is full of discovery and enthusiasm.
Sometimes however, we’ll find [...]

Part Three: Street Signs For ‘Seat of the Pants’ Writers
Posted in Planner/Pantser Six Part Series, Plot and Structure on 28 September 2007

One of the most daunting things a “seat of the pants” writer will frequently face is lack of direction. These writers start with an instinctive sense of what will make a good story. They may have a skeleton character concept or an intriguing ‘what-if’ situation and will run with the idea. Working in this way [...]